Gallerists to let you know about their practice and get a better understanding of their approachĪnd role in the photography industry. Insight we have also organized 5 interactive studio visits’ with guest artists, curators and Working on your ideas and improving your method. Group classes Tommaso Parrillo and Federico Barbon will give you a general grounding in theĬontemporary photobook world, editing strategies and design technique to develop your projectĦ0-min individual sessions you will have the time to engage in specific discussions aimed at If yourĪpplication is successful, we will notify you and you will then be able to Enroll in the Program. The form with your personal details, insert a link to your project and submit for free.
The program will be conducted online, with one final gatheringĭays International Photography Festival (Italy) where photobooks and dummies will be shown. Production will be fully financed by Witty Books, with a contribution from the Furthermore, Wittyīooks will select one of the participants’ work to be published as a 500 edition photobook as part of Their work to an international audience in the form of a dummy or a photobook. At the end of the 6-month masterclass, all participants will be ready to present The advanced phase of their projects with the goal of concluding the work and have it ready for Under the guidance of Witty Books publisher Tommaso ParrilloĪnd designer Federico Barbon a group of photographers will be followed In her work she blends documentary narratives with intimate approaches, always starting from personal experiences. Giulia Vanelli (1996) is a photographer based in Florence, Italy. It was acquired by Smith College Rare Books Library. Her first monograph, Still Breathing, was published in 2022 and reviewed by Lenscratch, PhotoEye and PhotoBook Journal. This past year Julia was an artist-in-residence at the Boulder Creative Collective where she had a solo exhibition of her work, while I wait. She had a solo show at the Center for Photography at Woodstock of her project Still Breathing. Julia has exhibited at The Humble Arts Foundation, The Griffin Museum of Photography, The Center for Photographic Art, Colorado Photographic Art, Boulder Creative Collective, SE Center for Photography, and Center for Fine Photography. She has served as a visiting artist at Guttman College in New York City and was recently awarded a Colorado Artist Relief grant and Boulder Arts Week grant. Now Julia is a full-time freelance editorial, commercial and fine art photographer. Next, as a photo editor, she helped shape the visual aesthetic and storytelling for iconic magazines including Backpacker, Skiing and Outside for more than a decade. Her career began working for Wendy Ewald’s Literacy Through Photography program where she cemented her love of storytelling. Raised in New England, she received a BA in Art History and a minor in photography from Smith College. Print.Julia Vandenoever is a photo-based artist whose work is generated from a personal perspective exploring themes of memory, identity, place, and home. “The Packaging and Selling of a First Novel: Anita Rau Badami’s Tamarind Mem.” The Toronto Review of Contemporary Writing Abroad 18.1 (Fall 1999): 86-99. “Orientalism, Deconstruction, and Relationality: Sara Suleri’s Meatless Days.” Lit: Literature Interpretation Theory 15.4 (October-December 2004): 347-362. “Karachi, Turtles, and the Materiality of Place: Pakistani Eco-cosmopolitanism in Uzma Aslam Khan’s Trespassing.” ISLE: Interdisciplinary Studies in Literature and Environment 18.2 (Spring 2011): 261-282. “Land, Water, and Food: Eco-cosmopolitan Feminist Praxis in Sabiha Sumar’s Khamosh Pani.” Environmental Communication: A Journal of Nature and Culture 5.2 (June 2011): 187-201. “Cosmopolitanism, internationalization and orientalism: Bharati Mukherjee’s peritexts.” Journal of Postcolonial Writing 49.4 (September 2013): 405-418. Place and Postcolonial Ecofeminism: Pakistani Women’s Literary and Cinematic Fictions. Lincoln: University of Nebraska Press, 2019 Lahore: Folio Books, 2021. “Animals, Others, and Postcolonial Ecomasculinities: Nadeem Aslam’s The Blind Man’s Garden.” The Journal of Commonwealth Literature 19 September 2020, Special Issue: The Environment of South Asia.
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